Vol. 1, No. 2 (December 1995)
THE PASSION AND THE MAGIC: DISTINCTIONS OF ARABIC FOLKTALES
By Fatme Sharafeddine Hassan*
A large number of Arabic legends, folktales, and myths reflect the culture's
history, social customs, morals, values, and religious beliefs. Since the
Arabs share the same geographical conditions, historical experiences, and
language, it is quite difficult to specify the origin of Arabic legends and
folktales. A reader of Arabic literature may find different versions of
the same stories in various Arabic countries. For instance, the folktale
Clever Hassan from Palestine is equivalent to Abu Hajlan from Syria and to
Mhammad Belhajjala from Tunisia. Although the versions differ slightly, the
moral behind the tales is the same.
Arabic tales share many characteristics. The stories display the social
values that the Arabs have in common and discusses the position and roles of
men and women in society. Faith in God is usually expressed through the
hero, who uses his belief to achieve the main task. An all-powerful King is
also depicted and supernatural elements are a very important component of
most Arabic tales and legends.
Since the tribal structure was the nucleus of social and political life for
a very long period in Arabic history, the values of such a culture
influenced the folktales and legends. Very often, hospitality and kindness
to guests and strangers is essential for survival in the desert. Values such
as courage, honesty, honor, hospitality, generosity, and loyalty are
emphasized. Moreover, the hero is defined by characteristics such as
pride, bravery in war, protecting the weak, and helping the poor.
A woman is portrayed in traditional Arabic tales and legends as a weak
person who needs protection by her man, such as her father, brother, son,
husband, or uncle. Most of the time a woman is described as a housewife
who does not have the right to make, or even share in, important decisions.
She is accused of not being able to keep her husband's secrets, since she is
always expected to gossip with neighbors and relatives regarding all
matters. Thus, she might destroy her husband's plans. The woman's honor is
in her virginity before getting married, and in her loyalty to her husband
afterwards.
An Arab's faith in God is strongly reflected in folktales passed down
throughout the generations. In a large number of these tales, the hero is
said to act according to God's will. For instance, a poor man accepts his
poverty because it is his destiny decided by God. God may answer the wishes
of good people, such as granting a child or bestowing wealth. In addition,
God also punishes the evil characters that cause trouble for the main
protagonists.
The King is also an extremely powerful figure. In most stories, he is the
ultimate ruler whose will is never questioned by the public. The king
possesses slaves and has total power over anyone in his country. He can
marry any woman he desires, can kill people without justifying his act, and
can make people rich or poor whenever he decides.
The supernatural element is a very important aspect in ancient Arabic
literature. Jinn, Jinniyeh, Ifreet, Ghouls, Ghouleh, Giants, and Angels are
some of the supernatural creatures that appear frequently. There are two
kinds of forces that control human beings: good forces, including God and
angels, and evil forces, such as Jinn and Ghouls. Good forces are thought
to be more powerful than evil forces, but not powerful enough to eliminate
them. In general, Arabic folktales and legends are very violent. There are
many scenes in which storytellers describe fights and methods of killing
very bluntly, regardless of the age group listening. In addition to
supernatural elements, Arabic folktales include magical elements that, most
of the time, help the hero achieve his goals. Examples of such elements
include a ring, three hairs of a horse, a crystal ball, slippers, and a
flying carpet.
It is interesting to note that although folktales might include supernatural
and magical elements, they are usually based on real life events that stem
from the Arabic culture. For instance, social values such as courage and
honesty are often preserved in the legends and folktales. Imagination and
creativity in these tales add to their beauty and entertaining capacity
without minimizing the influence of real life events.
An interesting element of the stories is the use of formalistic numbers that
still have spiritual meanings for many people in the Arab world. For
example, the numbers three, seven and forty are very meaningful to Arabs in
general. In many of the tales those numbers have been used to describe
various aspects in the development of events. Expressions such as "seven
days and nights", "three chances", and "forty doors to open" are commonly used.
In addition, many Arabic folktales lack of the element of logic. Events
might be clearly presented, but sometimes little details that clarify parts
of the story are missing. For instance, in Clever Hassan, the hero suddenly
possesses a magic ring that helps him in his troubles. The story doesn't
mention where the ring came from or why Hassan didn't use it before.
Most of the tales have morals that teach the listener or reader right from
wrong. Some of the common morals are "patience is the key for success,"
"satisfaction and contentment keep you out of trouble," "loyalty is always
rewarded," and "stealing is usually discovered and punished." These
lessons are meant to enhance and preserve the set of values that comprise
Arab culture and make it unique.
Fatme Sharafeddine Hassan, an aAssistant Editor of Al Jadid, is a Lebanese
American writer, lives in Ohio
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