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the right instead of 'Alâ, daughter of Yarhai."(64) The deep furrows in the forehead and the lines around the mouth characterize Bôrfâ as an elderly man. His hair is arranged in three horizontal rows, the iris in the wide open eyes is circumscribed by two incised circles, he is unbearded and the himation folds on the left and right upper arm have the peculiar triangular shape,(65) all characteristics which point to a date in the first group (about 50-150 A.D.), (66) probably late in the period because of the excellent workmanship. The himation is arranged as on the bust of MaIkû (see bust nr. 1), but Bôrfâ's left hand holds, instead of a branch, the "schedulä. The wide open eyes, which recur on the frescoes of Doura, probably go back to old Oriental tradition and were to appear again in the Byzantine art.(67) All in all, this bust is an excellent example of the first period of Palmyrene sculpture, when it was still more bound by Oriental than by Hellenistic traditions.
The inscription presents a number of interesting problems. The proper names
are all well known and
often met with in Palmyra, but the term "Chaldean" is here mentioned for
only the fourth time in
Palmyra.(68) Originally an ethnical expression denoting the founders of the
Neo-Babylonian empire,
it came to be employed about the priests of Babylon, famous for
astronomical and astrological
knowledge, and it is in this sense that the Greek equivalent
The word for "funerary stelë, |
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Documentation Center at AUB
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