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    of a recumbent boar, perforated up and down, with the eye originally inlaid. 51 x 29 x 14 mm.
    The design shows a sitting antelope arranged in three different directions. A dot in the right-hand corner and a line on the lower margin were added as space fillers.5
  1. (D. 1224). Red marble.6 Short squat cylinder seal with a deeply concave side. 17 x 25 mm.
    The design shows a row of three pig-tailed women squatting on couches, with hands uplifted and four objects in two rows in front of each, the upper two being bell-shaped and the lower two circular, each with two dots above it. The objects would seem to be two-handled pots. They are rather characteristic of seals of this type; see, e.g. W. H. Ward, Seal Cylinders of Western Asia, 1910, p. 183, Figs. 504 and 508; H. Frankfort, op. cit. Pl. VIIId.5

II. SEAL OF THE EARLY DYNASTIC II PERIOD (C. 2800 to C. 2600 B.C.):

  1. (D. 1527). Yellow marble. Cylinder seal. 25 x 19 mm. A kneeling naked hero with a spear in his right hand attacks two quadrupeds in single file from behind. As is usual on seals of this period, the eye is made so large that it fills most of the head.
III. SEALS OF THE EARLY DYNASTIC III PERIOD (C. 2600 to C. 2425 B.C.):

  1. (D. 1528). Shell core. Considerably worn cylinder seal. 33 x 20 mm. The design is similar to that on an unpublished seal from Tell Asmar in the Oriental Institute, AS 32.1115. On the right a rampant lion attacks a rampant stag. On the left is a scene in duplicate joined by two parallel lines, showing a standing naked hero between two rampant animals, presumably feline. What was manifestly intended to be an inscription on the lower right-hand border was made with the wheel and is modern, imitating either Aramaic or Greek characters.
  2. (D. 1529). White marble. Considerably worn cylinder seal. 14 x 7 mm. Enlarged on Plate V.
    A hero in a short tunic attacks a lion which in turn is attacking a long- haired sheep with long sloping horns, standing on its neck.
  3. (D. 1530). Red marble. Cylinder seal. 37 x 13 mm.
    The design is in two registers, separated by a double line. In the upper regis- ter is a banquet scene showing a seated man and woman with a table between them and a standing servant waiting on the man. The scene in the lower register is upside down and not very clear. It shows a spread eagle (presumably Imdugud) with a long-haired sheep in each talon.

6. H. Frankfort, op. cit. pp. 4 and 35, says that seals of this type are usually made of red, green, or grey limestone, but Professor Moore assures me that     our seal is made of red marble; so also H. H. von der Osten, Ancient Oriental Seals in the Collection of Mr. Edward T. Newell, 1934, P. 16, No. 29.

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Created by the Digital Documentation Center at AUB in collaboration with Al Mashriq of Høgskolen i Østfold, Norway.

981129 PN - Email: hseeden@aub.edu.lb