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  1. (D. 1522). Chalcedony. Cylinder seal. 17 x 9 mm. Enlarged on Plate VI.
    The several figures on this seal, reading from left to right, are as follows: a sitting antelope with reverted head; then a circle crossed by two parallel lines with a smaller circle below it, a rhomb, and a fish in a perpendicular row; then a moon- crescent, with two streamers ending in knobs, surmounting a pole set on a pedi- ment; and finally a long-robed standing worshipper with hands outstretched toward the crescent. A line at the top and another at the bottom delimit the scene.
  2. (D. 1521). Chalcedony. Cylinder seal. 23 x 12 mm.
    Two winged sphinxes rear at each other in combat. A rhomb appears under the legs of the sphinx at the right while a fish appears under the forelegs of the other sphinx. On the left a winged sun-disk hovers over a divine standard con- sisting of a small disk with two double-knobbed streamers surmounting a pole rising from the ground.
  3. (D. 1512). Serpentine. Cylinder seal. 23 x 12 mm.
    A dog chases a fleeing bull. The animals are very crudely drawn, but no more so than the dog in A. Moortgat, op. cit. No. 649, or the bull, ibid. Nos. 641 and 642. Over the bull are seven dots representing the Pleiades and an eight- pointed star representing the sun with rays streaming from it. Over the dog is a moon-crescent with the cuneiform sign for BAR immediately below it. Behind the dog is a tall palm-tree and under his forelegs is a rhomb. A line at the top and another at the bottom delimit the scene.
  4. (D. 1546). Carnelian. Cylinder seal. 22 x 8 mm.
    A stylized bird, with a moon-crescent hovering over it, follows a human- headed bird, wearing a turban.
  5. (D. 1547). Rust-colored marble. Cylinder seal. 24 x 12 mm. Enlarged on Plate VI.
    In the center is a high-pedestaled altar with flames shooting up from it. On the right, facing the altar with uplifted hand, is a long-robed goddess with rays extending in a circle from her body and a moon-crescent at her back. She wears a crown with upright points and between her and the altar is the divine symbol illustrated in H. H. von der Osten, Ancient Oriental Seals in the Collection of Mr. Edward T. Newell, 1934, o. 145, Fig. 27, No. 442. On the left is a long- robed bearded worshipper with hand uplifted toward the altar. A line at the top and another at the bottom delimit the scene. This seal is similar to L. Legrain, The Culture of the Babylonians from their Seals, 1925, No. 580, where the god- dess is identified as Ishtar surrounded by a halo of arrows or maces; so also C. H. Gordon, Iraq, VI, 1939, p. 31, No. 103.
  6. (D. 1222). Dark serpentine. Cylinder seal. 44 x 16 mm.
    This is a royal hunting scene. The king, facing backward in the chariot and driven by a charioteer pictured much smaller than himself, shoots with bow and arrow at two wild bulls that are attacking him. Over the galloping horses are, from left to right, a moon-crescent, seven dots representing the Pleiades, and an

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Created by the Digital Documentation Center at AUB in collaboration with Al Mashriq of Høgskolen i Østfold, Norway.

981201 PN - Email: hseeden@aub.edu.lb