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nath if his expedition proved to be a success. Both of them apparently knew it and realized what their situation would be if he were able to conquer the two states, and they were prepared for the attack. Sampsiceramus was the first prospective victim. He sustained the attack and defeated one part of the Persian army. Odenath naturally did not wait for the retiring Persians to attack him. He took the offensive and attacked them, casting in his lot with the Romans, from whom he may have expected as reward for his deed some concessions such as he had not received from Shapuhr. And in fact he was not disappointed. We hear that in A.D. 258 he was in possession of the title vir consularis, which he may have received much earlier.73 It may have been under the pressure of Odenath that the Persians evacuated Dura. This made it possible for the Roman garrison to return to that city.74 Have these hypothetical but probable events left any trace in Dura? I may tentatively mention two paintings, or better drawings, in Dura which may be connected with the temporary occupation of Dura by the Persians and a probable visit to Dura of Odenath. 74a In a private house of Dura was found an unfinished colored drawing occupying almost the whole of the surface of one of the walls of the diwan of the house (fig. i). It shows in the conventional way of the early Sassanian artists a scene of battle. In this scene appear a Sassanian king and his enemy, apparently the leader of the Romans on the one hand (large-scale figures) and members of the Sassanian royal family conquering individual Roman horsemen (smaller figures) on the other, all this in the presence of the gods shown seated on a couch. Dr. A. Little and I have discussed this curious composition several times. I cannot deal with it again at any length in this paper. Suffice it to say that the drawing is certainly the work not of a Greek but of an Iranian "artist," and that it is not an imaginary picture but represents a real historical battle in a conventional way. It is impossible to ascribe the drawing to a time earlier than the third |
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